Wednesday, September 14, 2011

Tapestry - Wheat Field With Crows, by Van Gogh



One of Vincent Van Gogh painting is the most discussed cornfield with the Crows. Although one of his strongest, it is also one where the interpretations are as varied as the colors the artist uses. Some see the picture as a kind of "suicide note" that Van Gogh was translated to the screen. Still others see it in a more positive light, as well as depicting the turbulent, but he resigned from the mind.

Early in his career, Van Gogh was already inclined to painting scenes depicting nature. Whether it is the nature of his volatile, violent form or nature in its serene grandeur, Van Gogh has had an enormous respect for forces beyond his control. He loved to paint the stormy sky, just as he liked to paint in a quiet, starry nights. Art critics like to point out some important symbolism in the painting. They point out that crows, which is one of the central objects in the picture. Much of the debate on whether the centers are crows in the direction of the direction of the painter or whether they are actually flying away from njega.Nijanse images depend on how one interprets these vrane.Staze, art historians say, echo trails that Van Gogh in your life . They seem to be cheering, almost sporadic and headed for nowhere, symbolized by Van Gogh's own twisting journey in life.

Despite the many mysteries surrounding this picture, wheat field with Crows remains one of the most loved Van Gogh paintings. She is constantly reproduced in the form of wall hangings, wall decor, and even tapestries. These reproductions are able to capture a nice range of topics that Van Gogh skillfully applied in his paintings. His drawings are the product of a great, noble mind is somewhat plagued by inner demons.

cornfield with Crows is subject to interpretation so that it makes for a perfect wall hanging especially in the home areas such as dining rooms and living rooms. This piece of conversation can surely give life, intensity, and a unique charm to any surrounding.

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